Bluesky Isn’t What You Think It Is

(Photo by Michal Mrozek on Unsplash)

In the waning days of the Twitter brand, co-founder Jack Dorsey was talking about his social media platform like Victor Frankenstein being tortured by his run-amok monster.

His relationship with Twitter had all the makings of a Romantic-era horror. He had stitched the platform together from a lifelong passion for instant messaging, and since then it had earned him the ire and scrutiny of presidents, Senate committees, and activist investors.

Now a certain sink-wielding oligarch was about to drain the platform of a few billion dollars of brand equity, and maybe in Dorsey’s mind, this was exactly the self-immolation the monster needed to undergo.

“In principle, I don’t believe anyone should own or run Twitter,” he said in a tweet on April 25, 2022. “It wants to be a public good at the protocol level, not a company.” Selling Twitter to SNL’s go-to Wario impersonator was “solving for the problem of it being a company,” and given the result, I can only assume he wanted that solution to be zero.

Dorsey’s altruism is mostly a self-assured myth. No doubt he saw the potential for public good in Twitter, but he was also talking about profit models from the get-go, praising the benevolence of his beast while locking it away in a tower made of venture capital and ad revenue. Despite this paradox, he was right: Twitter, up until recently, had always behaved like a protocol. Governments, corporations, activists, comedians — everyone treated it as if it was a utility. But the purchase of the platform by the meme-slinging techno-brat made it clear that Twitter was no longer a public good but a privately owned plaything.

So, is Bluesky here to save the day? By now, you’re familiar with the platform that siphoned escapees from Twitter to reach 20 million followers in a relatively short time. Dorsey himself was part of its development (before inexplicably paying fealty to his original beast once again). In appearance, Bluesky behaves like a Twitter clone similar to Threads. But underneath it is the dormant dream of a decentralized social media experience, one where users have more ownership of their online presence.

So, can it separate platform from protocol as Dorsey sporadically envisioned, so each person can decide what kind of monster their social media is going to be? Maybe, but it has some adoption hurdles.

The deep goal of bluesky is to decentralize the social internet so that every individual controls their experience of it rather than having it be controlled by 5 random billionaires. Everyone thinks they signed up for a demuskified twitter…we actually signed an exciting and bizarre experiment.

Hank Green (@hankgreen.bsky.social) 2024-12-03T16:05:13.431Z

The first hurdle is getting people to understand what a protocol even is. I’ve been on the internet since the early 90’s, and I’m still educating myself on the nomenclature. Granted, most of us are familiar with interacting with protocols. If you’re reading this blog, you’re using the Hypertext Transfer Protocol with ease. And if you have an email address, congratulations: you’re already surfing on a wave of protocols that let your email talk to everyone else’s, no matter where their email is hosted.

This is what the AT Protocol, the beating heart inside the rib cage of Bluesky, is trying to emulate for social media. Much like your email address, your social media profile can be hosted by a provider of your choice. In this case, Bluesky would serve as a client in the same way Outlook allows you receive and publish emails. It brings to life the idea of a decentralized social network, one where profiles are a multitude of funky houses connected by common streets, rather than one-bedroom apartments owned by a single mercurial landlord.

Being able to host your own social media account has clear advantages. You can own, archive, and transfer your data more easily, and your profile is not as captive to the whim of mercurial ultra-capitalists. Right now changing your Bluesky username to a self-designated domain is easy enough. But as of this writing, fully hosting your own Bluesky account requires a degree of tech savvy.

This is the second big adoption hurdle to making the Bluesky dream a reality. Currently most users are hosted by Bluesky themselves. To me this isn’t a huge problem, analogous to people starting accounts with WordPress.com versus hosting the WordPress CMS on their own. But like WordPress, I can’t imagine many people going through the rigamarole of hosting their own Bluesky account, unless hosts like GoDaddy and the like provide similar managed services. If decentralization is truly going to be the next phase of social media, it needs to be more easily understood and readily accessible within a lower level of technical prowess.

I’m hoping for Bluesky’s success. I want an open social media protocol that gives me greater control of the content I make and consume, one that is less susceptible to Cory Doctorow’s enshittification principle. Right now on Bluesky I am witnessing more of the wacky, irascible energy I remember from Twitter’s earliest days. But it needs to become more than just an X escape hatch. I’m hoping that adoption of the AT Protocol will parlay that energy into a social media environment where curiosity, depth, and joy are easier to sustain.

Time will tell, but if we split the monster into pieces, maybe it can be more easily tamed.

Does the Jaguar Rebrand Matter?

Nothing gets the internet angrier than a brand changing its logo, even if the brand never mattered to them in the first place.

A couple of weeks ago, one of my Discord mods posted a link to Jaguar’s new logo design, hoping to get my reaction. The original Jaguar logo featured an illustration of its eponymous jungle cat with a sleek all-caps word mark in a futurist, wide-width typeface. The new logo has driven its cat to extinction, replacing it with a yin-yang double-J monogram paired with a minimalist, mixed-caps word mark. At first glance, it evokes the era of info-tech more than it does the age of 20th century luxury cars – a clear attempt to shed the stymied aura of old money and invite a new generation of wealth behind the velvet rope.

Like most reactions on the internet to a rebrand, mine was dependably knee-jerk and cynical. “It’s bad,” I said, “and people will forget they ever cared three months from now.” Time will tell if that second part is true, but I quickly walked back the first part of my keyboard curmudgeon statement in favor of something more nuanced.

For one thing, nothing in brand design is good or bad, at least not on a universal scale. Sure, it can fail to meet some practical requirements, like being too detailed for manufacturing or too indistinct for market positioning. But the scales that people use to judge a logo are weighted by culture, experience, and taste – and these vary wildly between individuals. The best one can do is fashion a logo that feels true to the brand’s narrative and tweak it to suit the palate of the target customer.

I will say, the new logo does embody the story of “exuberant modernism” that Jaguar is proclaiming through this rebrand campaign. The subtle defiance of capitalization norms, the occasional diagonal slashes on otherwise right-angled tails, even the absence of the jaguar illustration itself – all of these feel like decisions made to buck tradition with newfound creative energy.

Is this the right move for Jaguar? My guess is, it couldn’t hurt. Like most luxury brands, Jaguar sales have slumped considerably since the pandemic, so it behooves them to at least paint their brand with a fresh coat of innovation, if only for the sake of cosmetics. At least it’ll dominate a PR cycle in time for holiday shopping.

But on the whole, the change leaves me with aggressively shrugged shoulders. For one thing, this ubiquitous move towards bland sans-serifs is just boring. I feel like it started with Silicon Valley juggernauts shaving their logos down to what could be digested on a smartphone screen, and every other industry has felt like they had to follow suit. Maybe it’s the canary in the coal mine of an economy so dominated by tech and finance that every logo feels like it could be for a startup SaaS company.

For another, poaching the illustrated jaguar in favor of a monogram feels like a lateral move at best. I can see the monogram functioning well as an app icon or a hood decal. But there’s another shape that would’ve fit those functions equally well: the silhouette of, you know, a jaguar.

But the biggest reason for my blase is simply this: for most people, a luxury brand is not a purchase but an aspiration. It’s a thing only a lucky few will own, and the rest of us only serve to reinforce its psychological value with others by salivating over it. The new logo deprives the brand of its head-turning feline iconography, draining it of the signaled status its driver wished to convey. And in the end, none of this means anything. Because I’m the proud owner of a 2018 Toyota Camry.

Anyway, see you next time we’re upset about a brand neither of us can afford.

Creature Feature: Turkeys

Thanksgiving is days away, and for the last FancySchmancy Creature Feature on Twitch, I drew turkeys based on chat’s suggestions. Here are the three we drew, ready for plucking.

Conan the Barbarian

This was my favorite suggestion by far. I like the idea of a lone warrior defending his people against the feasting hordes.

Nomad

A turkey getting in a late autumn hike. Drawing birds with human arms and legs will never not be funny to me.

Morbidly Obese + Pope Hat

For this one, I combined two prompts from chat. I think the backstory is, this is the bird who administers last rites to every turkey being sent to the dinner table. And since he’s lasted multiple Thanksgivings, he’s had plenty of time to fatten up.

Join me on my Twitch channel for future Creature Features and to submit suggestions of your own.